-
Archives
- March 2023
- February 2023
- January 2023
- December 2022
- November 2022
- October 2022
- September 2022
- August 2022
- April 2022
- March 2022
- December 2021
- November 2021
- October 2021
- July 2021
- July 2020
- January 2020
- November 2019
- October 2019
- September 2019
- August 2019
- June 2019
- May 2019
- April 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- December 2017
- October 2017
- September 2017
- August 2017
- June 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- November 2014
- October 2014
- August 2014
- April 2014
- March 2014
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- March 2013
- February 2013
- December 2012
- November 2012
- October 2012
- August 2012
- June 2012
- May 2012
- April 2012
Anna Donald paints 
Yep, I can see why this one was given pride-of-place on the mantel. The colours are striking, but they create a really interesting sort of “conflict” in the “feeling”. The sky looks dark and cold, but the landscape looks hot, almost fiery – which of course is quite logical for the desert climate, with the day’s heat fading into the cold of night, but it takes a few seconds to grasp that and the momentary “disorientation” really draws you in.
Thanks Van, always great to read your comments.